Anna Jones Buttimore

At the beginning of this month two feet of snow fell and we were stranded. The snow very quickly thawed just enough to refreeze into ice, and it became too dangerous to drive anywhere (I know; I tried) and pretty hazardous to walk. Our usual fifteen-minute walk to school (once the school reopened after being closed for the first week) took around twice that as we shuffled carefully across the uneven ice-sheet, with much comic flailing and many spectacular falls. On the plus side, though, the children made a great snowman, two igloos, and put the snow they didn't use on these magnificent creations down each other's backs, into each other's wellies, and all over my lounge carpet. They took photographs of themselves clutching five-foot icicles, and insisted on putting said icicles in the chest freezer. (Not a problem, since the freezer was empty.) It thawed; we and the rest of the population of our village (15,900 people) went to Sainsbury's and replaced all the things we...

This year I am really looking forward to having a holiday over Christmas. The charity I work for closes between Christmas and New Year, and this gives me a whole week off work. I'm very excited to have all that extra time to enjoy with my family and various visitors (including friends from Wyoming). But I'm even more excited to have a whole week free to finish writing the epic fantasy novel I've been working on all year. I love the writing process and can't wait to get stuck in to the creative part. Not every aspect of writing a book is quite as exciting. This past weekend I have been very busy proofreading the "galleys" (they're not called that any more, but I don't know what they are called now) of my forthcoming book. It's been hard work. The problem with writing a book is that you don't just do it once. You write the first draft, then read through it and change it, several times. Honeymoon Heist then went to a professional freelance editor...

I recently overheard a conversation about one of my favourite authors, Terry Pratchett, who has been very public about the fact that he has Alzheimer's Disease, including doing a documentary about the illness. The comment that particularly troubled me was, "He's had to collaborate on his latest book, so obviously it's the beginning of the end now." Should I be worrying about that view, I wondered? You see, I am collaborating on my latest book, and as far as I know I don't have Alzheimer's. If co-authoring a book with someone else is a sign that it's the beginning of the end for your writing career, then I might as well hang up my laptop now. This is the first time I've had help with writing a book, and I'm loving it and wonder why I didn't do it before. Writing comes fairly easily to me, but coming up with workable ideas is more difficult. So for my current book, a fantasy epic called Emon and the Empire , I'm collaborating with two fri...

Just for fun, here's a list of quotes from rejection letters, and similar, and the books and authors they relate to. "We are not interested in science fiction which deals with negative utopias. They do not sell." (Rejection letter for Carrie by Stephen King) "An absurd and uninteresting fantasy which was rubbish and dull." (Rejection letter for Lord of the Flies by William Golding) "He hasn't got any future." (Said by one publisher to a colleague, of John le Carre) "I haven’t the foggiest idea about what the man is trying to say…Apparently the author intends it to be funny – possibly even satire – but it is really not funny on any intellectual level." (Said by a potential publisher of Catch 22 by Joseph Heller) "It is impossible to sell animal stories in the USA." (From the rejection letter for Animal Farm by George Orwell) "There certainly isn't enough genuine talent for us to take notice." (Said by a potenti...

I'm going to say something very controversial. I expect a lot of people will disagree furiously with me. But it's my blog, and if I can't use it to express how I feel, then what's the point in having it? I wish we could go back to the days when the father went out and earned the money, and the mother stayed at home and cared for the children and looked after the house. I've mentioned here before that I have three jobs. I work for LawCare ( http://www.lawcare.org.uk/ ), I'm an Avon Rep, and I'm a writer. I'm in the lucky position of liking all my jobs very much, and I'm lucky that they all involve working from home. But I wish I didn't have to do the first two. Years ago mothers didn't go out to work. The income was provided by the husband and father, and it was enough. But we can't ever go back to those days, because when women started working too, families became much richer and, as a result, house prices went sky-high. Now most families...

Dawn French is everywhere at the moment because she's just published her first novel. I love Dawn French; she was superb in The Vicar of Dibley and she makes it OK to be fat, but I confess that despite acknowledging her comic genius generally, not for one moment, when I heard her talking about her novel on Radio 2, did I actually believe she'd written it. I must have been involved with the writing industry too long; I've become sceptical. Partly it's because I have a good friend who, as well as writing her own books, is a ghost writer. She's signed a cast-iron contract not to reveal who she writes for, but she makes a fair living out of writing books which others then pass off as their own work. It's pretty common, she told me. Since I learned this, I have come to realise that of course it is going to be common practice. Writing well is a skill, like any other, and (there's a risk here that I'm going to sound terribly pretentious and big-headed) I have...

I was recently asked for writing advice (like I know anything!) by someone who wants to get into the children's books market. Unfortunately I don't think I was very encouraging. What little I've gleaned over the years suggests that it is actually the most difficult market to write for. There are several reasons for this: The children's market is pretty saturated already because new children are coming along all the time and they are happy to re-read the same thing their older siblings read three years ago. So books such as The Very Hungry Caterpillar (which is 40 years old) or The Gruffalo have a constantly replenished market of excited new readers. A book for adults dates much more quickly, and adults are generally much more demanding of fresh, new books or the latest idea or twist. If you'll permit me the pun, children's books have a longer shelf life. There is a perception that children's books are easy to write. Generally they are much shorter, so where...